Nobody gets good at stand-up comedy by thinking about it. Every book on this subject, and every comic who has ever done it seriously, converges on the same unglamorous fact: stand-up is a skill built entirely through…
You do not need to wait for inspiration. Every craft-focused comedy-writing book agrees on that much, and several of them hand you a near-mechanical process to get a first draft of a joke on paper. This module walks…
An open mic is the smallest, lowest-stakes room in comedy: a bar, a comedy club's off-night, or a dedicated open-mic room, where anyone on the list gets a short slot — usually three to five minutes — to try new material…
Nobody hands you a rulebook when you walk into your first open mic. There is one anyway — every host running that room is enforcing it, night after night, and the comics who don't learn it stop getting invited back.…
Every comic in this guide had a first time, and none of them describe it as smooth. What actually matters isn't eliminating the nerves — none of the twelve books this guide draws from promise that — it's knowing what to…
Filming isn't covered directly in most of the twelve books this guide draws from — phone cameras are a newer convenience most of them predate. But the underlying discipline they all teach, in different language, is the…
Bombing — a set met with silence, or close to it — happens to every comic who has ever done this seriously, including the ones cited throughout this guide. It is not a signal that you should quit, and treating it as one…
At some point your open-mic reps stop being about individual jokes and start being about a set: five fixed minutes, then ten, built from the material that's actually survived being said out loud to a room, in the order…
Your first few sets get you through the mechanics: signing up, getting on stage, surviving the silence when a joke doesn't land. Becoming a regular is a different, slower project — getting known by a room's host, being…
An open mic is a list anyone can get on. A booked show is curated — someone decided who's performing, usually from a pool of submissions and reputations far larger than the slots available. This module covers what…
Full bibliography
The Open Mic Handbook draws on these 12 published books across its modules. Every module names the specific ones it cites; this is the complete list.
- Judy Carter, The Comedy Bible (Fireside, 2001) — view on Open Library
- Greg Dean, Step by Step to Stand-Up Comedy (Fireside, 2000) — view on Open Library
- Stephen Rosenfield, Mastering Stand-Up (Chicago Review Press, 2017) — view on Open Library
- Jay Sankey, Zen and the Art of Stand-Up Comedy (Routledge, 1998) — view on Open Library
- Oliver Double, Getting the Joke: The Inner Workings of Stand-Up Comedy (Methuen Drama, 2005) — view on Open Library
- Logan Murray, Get Started in Stand-Up Comedy (Teach Yourself, 2015) — view on Open Library
- Melvin Helitzer, Comedy Writing Secrets (Writer's Digest Books, 1987) — view on Open Library
- John Vorhaus, The Comic Toolbox: How to Be Funny Even If You're Not (Silman-James Press, 1994) — view on Open Library
- Mike Sacks, Poking a Dead Frog: Conversations with Today's Top Comedy Writers (Penguin, 2014) — view on Open Library
- Ritch Shydner & Mark Schiff, I Killed: True Stories of the Road from America's Top Comics (Three Rivers Press, 2010) — view on Open Library
- Steve Martin, Born Standing Up: A Comic's Life (Scribner, 2007) — view on Open Library
- Judd Apatow, Sick in the Head: Conversations About Life and Comedy (Random House, 2015) — view on Open Library